幻时之爱：1970年代实验电影再探
 Phantom in Time: A Return to 1970s Experimental Film

 

I have long wanted to create a series measured in ‘decades,’ in order to uncover experimental filmmakers who have slipped beyond our field of vision, as well as works that have yet to be digitized—or whose essence is better encountered through the texture of film itself. This program presents the image-based practices of five artists working in the 1970s.

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In an age of ‘expanded images,’ experimental film seems to have become a historical term. Moving forward requires courage; looking back is no less difficult. 1970 is neither a beginning nor an end—it is simply a moment in the flow of light and shadow that deserves to be revisited.”​

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Program 1: 

• Patience (1970, color, 13mins) by Jon Voorhees

• Shoveling (1970, color, 7mins) by Jon Voorhees

• Whispers Delaying Grace (1973, color, 12mins) by Jon Voorhees

• コンパス (1980, color, 13mins) by 居田伊佐雄

• 微風 (1974, color, 16mins) by 居田伊佐雄

• プレパラート (1977, color, 12mins) by 居田伊佐雄

• Film Feedback (1974, color, 16mins) by Tony Conrad

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Program 2:

• Serving Time (1972, color, 30mins) by Jon Voorhees

• Destiny The Universal Fantasy  (1974, color, 26mins) by Jon Voorhees

• 踏切 (1975, color, 20mins) by 居田伊佐雄

• NEBULA (1973, color, 8mins) by 居田伊佐雄

• 光風 (1977, b&w, 11mins) by 達智巳一

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Program 3: 

• Rivers of Darkness/ Rivers of Light (1972, color, 41mins) by Jon Voorhees

• 鉱物学者 (1977, color 11mins) by 居田伊佐雄

• 満月 (1979, color, 13mins) by 居田伊佐雄

• 8-1/2×11 (1976, color, 32mins) by James Benning